In Good Hands
Exhibition at the Craft Museum of Finland between September 12 – December 5, 2020
Mikko Oikari, intendentti, Suomen käsityön museo, p. 050 553 3880, mikko.oikari [at] yvaskyla.fi
Amanda Hakoköngäs, näyttelykoordinaattori, TaM, p. 0400 949 316, a.hakokongas [at] gmail.com
Based on the archives, visual artist Hanna-Kaisa Korolainen, fashion designer Henna Lampinen, sculptor Matias Liimatainen, and game designer Henri Tervapuro created new works and products that combine traditional handicraft techniques, various materials, and technology. The exhibition was on display at the Design Museum from early 2020, and will move to the Craft Museum of Finland in Jyväskylä between September 12 – December 5, 2020. The artists of the Jyväskylä exhibition are joined by illustrator and designer Anna Alanko, who designed her pieces for the exhibition after examining the Friends of Finnish Handicraft swatches stored in the Craft Museum of Finland collection.
As one of Finland’s oldest design companies, the original aim of the Friends of Finnish Handicraft was to collect popular textiles, come up with new applications for their designs, and to bring to life forgotten textile traditions. The Design Museum archives comprise ca. 6,500 textile samples, watercolour sketches, and wovens from the late 19th century to the 1990’s. Parts of the Friends of Finnish Handicraft archives are also stored in the Craft Museum of Finland collections.
The In Good Hands exhibition will also showcase some of the Friends of Finnish Handicraft's best-known rya rug designs, such as the Akseli Gallen-Kallela -designed rya rug Liekki (Flame), Jarl Eklund’s Lokki (Seagull) rya rug, and rya rugs by Impi Sotavalta. In addition, collector Tuomas Sopanen will lend the Vihreä aamu (Green Morning) rya rug by Uhra Simberg-Ehrström to the exhibition.
The works of illustrator and designer Anna Alanko from Helsinki are characterised by dreamlike atmospheres and rich textures. In her work, Alanko daringly combines different techniques and plays with organic and digital contrasts. Alanko has designed patterns for Nordic and Japanese clothing and textile companies, such as VIMMA, Tiger of Sweden, Svensson, Borås Tapeter, Isetan, and Senshukai.
”In my pieces for the In Good Hands exhibition, I wished to underline the role and hand of anonymous contributors, the physical movement behind the embroidered patterns, and the meditative process related to working with one’s hands”, Alanko explains the underlying idea of her work. ”The key visual element in my pieces is the graphical line/thread in its various forms. In the animations, the line lives, squirms, grows, and shrinks in hypnotic movements. In the three-dimensional piece, the different line elements are layered and distorted when you examine them from different angles.”
The exhibition’s curators are artist and reseacher Riikka Latva-Somppi and Kieran Long, director for ArkDes, Sweden's National Centre for Architecture and Design in Stockholm.
”People often say that handicraft skills are based on silent knowledge. Knowledge that is experiential and bodily, yet hard to verbalise. The Friends of Finnish Handicraft archives are not only a historical, visual, and material treasure trove, but also a concrete register of silent knowledge. In the material and digital works of the exhibition, the traditional handicraft properties of craftsmanship, usability, and decorativeness are complemented by narrative and experiment”, states Latva-Somppi.
Master of Fine Arts Amanda Hakoköngäs works as the coordinator for the exhibition.
The In Good Hands exhibition will continue from Jyväskylä to Vaasa in early 2021.